Is there no balm in
Gilead? Is there no physician there? Why then is not the health of the daughter
of my people recovered? JEREMIAH 8:22
Another “spiritual” that owes its origin to Richard Allen’s
1801 hymnal: A Collection of Spiritual Songs and Hymns Selected from
Various Authors by Richard Allen, African Minister (Philadelphia, Pennsylvania,
1801) is 'There is a balm in
Gilead'. This spiritual was inspired by the John Newton hymn: How
lost was my condition
The
African worshipers took the alliteration sin-sick soul that was sung in Allens church from Newton's
hymn and incorporated in Allen's emotional preaching and
integrated them into their song. The result is an entirely new song with its
own form and music.
By the 1830s the chorus circulated in oral tradition proven by its
inclusion in Newton’s Hymn as Eileen Southern calls “Wandering Choruses”
“...that is, refrains freely used with any hymn rather
than affixed permanently to specific hymns.” From <http://www.bluegrassmessengers.com/hymnals-of-the-black-church--eileen-southern.aspx
1 How lost was my condition,
Till Jesus made me whole,
There is but one Physician
Can cure a sin-sick soul.
Chorus:
There is a balm in Gilead,
To make the wounded whole,
There's pow'r enough in Jesus,
To cure a sin-sick soul.
It stands to reason that these early sources, via
unknown avenues over the course of 30+ years had been cycled through oral
tradition among African Americans in the 1800s. In one snippet of what could be
a variant of this spiritual, a graduate of Hampton University, Dennis F.
Douglas, class of 1876, wrote to the school’s journal, The Southern Workman, speaking of
his experience teaching in South Carolina and Georgia, and said, “Our folks
sing a song running like this, ‘Though I cannot sing like Silas, neither can I
preach like Paul, I can tell the wondrous story; free salvation is for all”
(vol. 25, p. 196).
By 1845 it is alluded to by Edgar Allan Poe in his narrative
poem The Raven.
“Prophet!” said I, “thing of
evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether
tempest tossed thee here ashore,
Desolate yet all undaunted, on this
desert land enchanted—
On this home by Horror haunted—tell me
truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me,
I implore!”
Quoth the Raven “Nevermore.”
By 1854 it is published in Washington Glass's 1854 hymn "The Sinner's
Cure,"…
Glass attributed this
hymn to himself, but like several of the hymns so attributed, it is
substantially the work of another. From
<http://www.bluegrassmessengers.com/balm-in-gilead--1854-version-a-sinners-cure.aspx
Methodist
Episcopal Church, South. Hymn And Tune Book of the
Methodist Episcopal Church, South. Round note ed. Nashville, Tenn.:
Pub. House of the Methodist Episcopal Church, South, Barbee & Smith agents,
18991889.
Around the turn of the 20th
century, it was published in John Wesley Work, Folk Song of the American
Negro (New York: Negro University Press, 1915), 102.
It was
immortalized in William L. Dawson’s haunting and beautiful
arrangement.
Tuskegee Institute, Ala.: Music Press, ©1949
Centuries
ago Jeremiah raised
a question, “Is there no balm in Gilead? Is there no
physician there?” He raised it because he saw the good people
suffering so often and the evil people prospering.
Our
fore-parents… did an amazing thing. They looked back across the
centuries and they took Jeremiah’s question mark and straightened it into an
exclamation point. And they could sing, “There is
a balm in Gilead to make the wounded whole. (Yes)
There is a balm in Gilead to heal the sin-sick soul.”